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This paper advances current debates about feminist methodologies in geography by attending to affectual intensities and their resonance. Affectual intensities emerge through encounters between different bodies and objects, and are deeply power‐laden, enabling, disabling, transforming, and restricting geographic research. We attend to three moments of resonance that surfaced in Elisabeth Militz's field research on nationalism in Azerbaijan. In each, we show how attending to affectual intensities reveals much about the work of power in nationalism and in the constitution of geographic knowledge about it. The paper calls for an affectual methodology, a process of critical writing, reflection, and rewriting about moments of resonance between different bodies and objects in the field, and as we analyse, present, and write up our data. This is a layered, dialogic, and collaborative writing strategy that, we argue, enables us to write through and with affect. In particular, our work contributes a nuanced and multi‐layered approach to uncover often‐neglected power structures of predominantly white and heteronormative geographic research practice.